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1. The Love Song of J. Alfred Prufrock

How I Developed My Thesis Thesis “The Love Song of J Alfred Prufrock” by T.S.

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“The Love Song of J. Alfred Prufrock”

Eliot employs a stream-of-consciousness style in this dramatic monologue, tracking Prufrock’s impressions, thoughts, and feelings just as they occur to him, with no comment or explanation. The monologue is much more internalized than is the Duke’s in Browning’s poem, and there is no audience (other than the reader). Presumably Prufrock is on his way to a cultured tea party where high society ladies are circulating and discussing the great art of the past. Prufrock would like to enter this privileged world, and in particular to have a meaningful love affair with a lady who inhabits it, but he is afraid of being misunderstood and ridiculed. He is particularly sensitive about his appearance—his expanding bald spot, his inferior physique, his way of dressing; and he considers affecting the appearance of youth by rolling his trousers and parting his hair behind to cover his bald spot.

Some scholars suggest that J. Alfred Prufrock is an alter ego for T. S.

In his early poetry, Eliot created a series of characters through whom he voiced the spirit of disillusionment: J. Alfred Prufrock is one of his gallery of losers. In his monologue, Prufrock reveals, as do Browning’s characters, a mental outlook that typifies his society.

The Love Song of J Alfred Prufrock by Amanda Neveu on Prezi

Eliot writes of

Choosing My Sources After re-reading “The Love Song of J Alfred Prufrock” along with listening and reviewing the classroom discussion, I found readers have only focused on the themes of the poem.

Eliot in "The Love Song of J. Alfred Prufrock," or that the wizard Prospero giving up his magic in The Tempest is an alter ego of Shakespeare saying farewell to the magic of the stage.

Copy of The Love Song of J Alfred Prufro..

“The Love Song of J. Alfred Prufrock” is a complex work, with frequent allusions to the writings of others, particularly to a masterpiece of Italian literature, Dante’s Inferno. Eliot implicitly compares the state of hell depicted by Dante to modern urban life, which for Prufrock at least, is a living hell. Like the condemned man in Dante’s poem, Guido de Montefeltro, Prufrock exists in an eternity of torment with no hope of escape, and like Montefeltro, he is fearful of what people will say about him. Montefeltro consents to tell his story to Dante only because he believes that Dante will never return from hell to the world of the living; Prufrock tells his story to us for a similar reason. Prufrock is a fearful and paranoid anti-hero who knows that he will never play such heroic parts as even the prevaricating Hamlet. He is more like Polonius: a fumbling, interfering fool who talks in platitudes.

“The Love Song of J Alfred Prufrock”
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    How I Developed My Thesis Thesis “The Love Song of J Alfred Prufrock” by T.S

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Thesis for the love song of alfred j prufrock

Prufrock has even less hope of attaining the object of his desire than Orsino. Moreover, he fears the piercing, critical looks of the ladies, which will reduce him to an insect pinned against the wall (57-58). He also compares himself to a crab scuttling sideways through life (73-74); in other words, he cannot confront life directly. This image of the crab alludes, again, to Hamlet, where the prince compares Polonius to a crab because of the way he approaches a subject from the side, never saying exactly what he means.

Explication of the poem “The Love Song of J. Alfred Prufrock”.

Prufrock’s greatest fear is that he will be misunderstood, that he will expose himself to the lady in question, displaying his nerves like a light show on a screen (105), and then be humiliated by her bored indifference to his plight. The problem of lack of communication, of misunderstanding, is integral to this dramatic monologue, as Prufrock struggles to understand and be understood in a modern world which has lost its sense of continuity, of value, and of history and tradition. Without a knowledge of the past to inform contemporary life, the present becomes meaningless. Perhaps the “overwhelming question,” then, is the same one which Hamlet asks himself: “To be or not to be?”

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