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Is Sound On Sound's Synth Secrets gone? : synthesizers

Synth Secrets was a series of articles written by Gordon Reid and published in Sound On Sound ..

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Synth Secrets A series of 64 synthesis articles from Sound ..

This book demystifies many of the topics of synthesis that can be confusing to people."--VJ Manzo, Assistant Professor of Music Technology, Worcester Polytechnic Institute, and author of Max/MSP/Jitter for Music

"Refining Sound is an approachable introduction to the secrets of synthesis.

SECRETS provides a clear, no-nonsense guide to making any sound on any synthesizer.

Peter Robinson, Composer

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In addition to the book, Refining Sound features a comprehensive companion website with more than 40 interactive learning objects that allow the reader to isolate and experiment with each element of a synthesizer.

Synth Secrets, Part 1 - What's in a Sound

This video demonstrates one of the secrets of Jean Michel Jarre‘s synth sounds ..

"SFX Machine is the one effect that has been on my ever-changing list of hardware and software in my studio. If people knew how much modular effects work I've done in this thing and how many of my sounds I'd made using it, one of my best secrets would be out!!

Perhaps the most difficult aspect of learning to create sounds on a synthesizer is understanding what all the individual synthesizer components contribute to the complex finished sound.

How do I make my reverb sound better

SECRETS provides a clear, no-nonsense guide to making any sound on any synthesizer

From scary faces and ghostly hands to cats, self-portraits and female lips. Musical artists have been hiding secret images in their music for quite a while. One just need a spectral analyser to "see" hidden figures and bitmaps in "[Equation]" and "Windowlicker" by Aphex Twin, and in works by Disasterpeace (FEZ Soundtrack), sippenaken, Venetian Snares or DJ Sonix.
When I first came across the idea, I did not find it that interesting because of the sound quality generated from a low resolution 120x120 bitmap was timbrally quite poor. But then I thought that perhaps there could be a way to improve it, if I were to understand the process a bit more (from the code itself).
After looking at some Matlab code by a couple of students in Mathematical Methods for Measurement Technology, at Tampere University of Technology, Finland (Katarzyna Zarnowiec and Frederico Contente), I looked at their source, which is a short programme written in Pearl by by Evan Salazar. Evan is a Computer Science graduate from New Mexico State University. The program basically uses a spectrogram tool to reveal embeded images. To encode the images, Evan devised a sinewave frequency oscillator for the Y Axis of the sonogram, Time parameter for the X and amplitude levels to control the pixel colour intensity. Then, he created a small audio library to write an audio file with enough sound quality (44.1 kHz, 16 bit, mono) onto disk, which of course is already defined in Matlab [y,Fs]. Then he found a piece of code to read a Bitmap, in this case a spatially mapped array of bits, which could indicate the colour depth (1,2, 8,...64 bits per pixel), which is somehow similar to audio bit depth (per sample, not pixel) and that was it. Some tweaking had to be done to avoid clipping and to match amplitude scaling to match the colour intensity (adding all colour channels to a given pixel and scaled it to the maximum amplitude). In the example video below, I have a simple demo of sound created from a couple of pictures; a frog and then the 'das boot" DVD cover (squared). The latter seems to have more potential for revealing something with musical content so, I tried EQing and trimming audio sections but also a number of options in Matlab to increase the sample rate and the number of pixels per second being transformed.
Sonic results are somehow promising and quite honest as methods for the investigation but sonically they may not go on their own in a final composition. They could be used to reveal images as well (in the interactive media context), since it seems like the EQ does not affect much the quality of the image; the trim does though.

I have this door (top left) at the entrance of the house for 9 years. It wasn't charming but that was my door. Most neighbours in the building seem to have a similar one. In an old DIY 1960er book from the GDR found at the Mauer park said that people used to cover old doors with a flat panel for the hall to look more modern. With the use of a screwdriver I promptly realised that there was an old door (top right, probably from the 1920s) underneath my door, which now I am restoring. This 'shared secret' was revealed to me by pure chance though but what would be the best method for sharing a secret?; what about the optimum way for distributing a secret amongst participants allocated with partial information?. What alternative combinations one may choose to reveal a secret or secrets?; how can one combine them and how do they 'exist' (eg. as sounds) if they are on their own, or if they couple with the wrong option? Ultimately, why we humans share secrets while most species arguably don't?
message = 'daed era meht fo owt fi ,terces a peek nac eerhT.'

An Introduction To Additive Synthesis Every pitched sound can be thought of as a ..
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  • Synth Secrets by Gordon Reid - Teaser

    does anyone know of any decent tutorials on synthesis and sound design that focus more on the practical aspects?

  • Secrets: Practical Bowed-string Synthesis;

    Synth School is an online school for teaching the secrets of sound synthesis

  • RCA then developed the first programmable sound synthesizer, ..

    "Refining Sound is an approachable introduction to the secrets of synthesis.

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Is Sound On Sound's Synth Secrets gone

The sounds are only one aspect of it, and are not meant to compete with keyboard synthesizers. The real reason for owning and playing a Vo-96 equipped guitar is in the realism of the experience. The synthesizer sounds are real – they are just as acoustic as any sounds the strings of a guitar have ever produced. What you feel at your fingertips and with the guitar against your body is the same sound you hear in your ears from the instrument.

Synth Secrets [from Sound on Sound] - MFA Lab

Tested this Matlab code .
To run it including the audio samples, try this one .
Screencast below: Note that first I use a standard noise audio file to ciphering the original sound file "years ago...". Then I try with a sound I recorded using a 1963 VCS3 synthesizer (which belong to Lancaster Music department, UK). The original file is successfully cyphered in both cases but sonically speaking the latter example is more useful in creative context (as it will be in the locativemedia experience I am planning as a result of this investigation).

GitHub - micjamking/synth-secrets: Screen-scraped …

Refining Sound is essential for all electronic musicians from amateur to professional levels of accomplishment, students, teachers, libraries, and anyone interested in creating sounds on a synthesizer.

Article series on subtractive synthesis from Sound on Sound

The final chapter brings everything together as the reader creates several common types of synthesizer sounds with detailed step-by-step instructions and explanations of the concepts behind those steps.

Synth Secrets, Part 1: What's In A Sound?

The result is a book that allows readers to familiarize themselves with each individual step in the synthesis process, in turn empowering them in their own creative or experimental work.

Refining Sound follows the stages of synthesis in chronological progression from the "raw materials" of sound waves through the various stages of the refinement process, ultimately bringing readers to the final "polishing" of their sounds with audio effects.

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